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Cinematographers Schweiz Suisse Svizzera Svizra unites talented professionals based in Switzerland.

Field Notes.

RED BTS | ALPINE F1 2026

Take a look behind the scenes at the Alpine F1 Team as director Josh Ward, Head of Content Joe Jones, and their team create the reveal film for the team’s new F1 livery and corporate identity. With only eleven teams in the sport, the competition extends far beyond the racetrack. The annual launch offers an opportunity to set the tone for the season, showcase the team’s identity, and excite fans around the world. Josh walks us through the creative process behind the film—from bringing together Alpine’s road and race cars to developing a dynamic visual approach that keeps the new car under wraps until the final reveal. Shot on the RED KOMODO-X using Atlas Anamorphic lenses.

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The Odyssey – Behind the Scenes of 65mm IMAX Filmmaking

A fascinating and highly insightful Kodak article on the cinematography of Christopher Nolan’s The Odyssey. Cinematographer Hoyte van Hoytema shares remarkable technical details about shooting entirely on 65mm IMAX film, including specially developed camera housings, lenses, lighting techniques and photochemical color grading. A particularly interesting read for cinematographers and film enthusiasts.

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Ivan's Childhood | Andrei Tarkovsky, 1962

**Ivan’s Childhood** (1962) is an astonishingly mature debut, already revealing many elements of Tarkovsky’s later visual language. Vadim Yusov’s black-and-white cinematography is especially remarkable: deep contrasts, expressive wide-angle compositions and fluid camera movements create a world that feels both physically real and dreamlike. Reflections, water, trees and faces become recurring visual motifs, while the camera often seems to follow memory rather than conventional narrative logic. The film moves confidently between the harsh reality of war and Ivan’s fragile inner world. More than sixty years later, its imagery still feels bold, modern and deeply cinematic.

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Hard to Be a God – Aleksei German

When legendary Russian auteur Aleksei German died in 2013, he left behind this extraordinary final film, a phantasmagoric adaptation of the revered sci-fi novel by the Strugatsky brothers (authors of the source novel for Tarkovsky's STALKER). HARD TO BE A GOD began percolating in German's consciousness in the mid-1960s, and would actively consume him for the last 15 years of his life. Happily, he brought the film close enough to completion for his wife and son to apply the finishing touches immediately after his passing. Taking place on the planet Arkanar, which is in the midst of its own Middle Ages, the film focuses on Don Rumata, one of a group of earth scientists who have been sent to Arkanar with the proviso that they must not interfere in the planet's political or historical development. Treated by the planet's natives as a kind of divinity, Don Rumata is both godlike and impotent in the face of its chaos and brutality.

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Inside “The Zone of Interest” with Sony VENICE

Winner of the 2023 Cannes Grand Prix award and an Academy Award for Best International Feature, The Zone of Interest is loosely based on a novel by Martin Amis. It follows a German family living in occupied Poland during WWII. Hedwig is the mother of five children and carries on with her life, blissfully unaware of the horrors of the nearby Auschwitz concentration camp. Her husband is Rudolf Höss, the camp commandant, who is deeply involved in the horrors of “the final solution.” Director Jonathan Glazer began development of the film in 2014 and conducted extensive research before the shoot began in 2021. The film was shot with an observational style using ten Sony VENICE cameras. Oscar-nominated and ASC award-winning Polish cinematographer Łukasz Żal, PSC, together with DiT Krzysztof Włodarczyk, take us behind the scenes of this emotionally charged film.

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A look behind the scenes of LANY's Soft World Tour – filmed with Canon

Experience the electrifying energy of the LANY Soft World Tour in this behind-the-scenes look with video director Braxton Turner. In this exclusive insight, he reveals how Canon's powerful cinema equipment supported his team at ENHAUS.IO. To capture the stunning cinematic aesthetic the artist envisioned, Turner relied on the Canon EOS C400, EOS C80, and EOS C50, as well as the CR-N700 and the CINE-SERVO 50-1000mm and CINE-SERVO 40-1200mm lenses. From wide stage shots to intimate moments, the Canon equipment delivered the ultimate tour experience.

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Daughters of the Dust [1991] Director: Julie Dash, Cinematography: Arthur Jafa

Julie Dash’s *Daughters of the Dust* (1991) is a poetic and visually exceptional portrait of the Peazant family, part of the Gullah Geechee community living on the Sea Islands off the coast of South Carolina. Set in 1902, the film explores migration, ancestral memory, spirituality and the difficult tension between preserving cultural traditions and beginning a new life elsewhere. Rather than following a conventional linear narrative, it unfolds through memories, gestures, dreams and voices from different generations. The luminous 35mm cinematography was created by Arthur Jafa, who later became internationally recognised as an artist and filmmaker. His carefully composed, rhythmic images transform landscapes, faces, fabrics and movement into a powerful visual language shaped by Black history, beauty and collective memory.

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Why Christopher Nolan shot "The Odyssey" on IMAX film

Correspondent Scott Pelley and director Christopher Nolan visited FotoKem, the last motion picture lab in the world that makes 70mm prints, to see finishing touches being made to "The Odyssey," the first feature shot entirely on IMAX film.

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Christopher Nolans Odyssee

Christopher Nolan’s journey towards The Odyssey reflects his unwavering commitment to analogue filmmaking. The first feature film shot entirely with IMAX film cameras marks a historic milestone in large-format cinema.

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The Odyssey - Official 'Completely in IMAX' Behind the Scenes Clip (2026)

Take a look at the 'Completely in IMAX' Featurette for The Odyssey, the latest mythological action retelling of Homer's tale from the mind of Christopher Nolan. Check out the behind-the-scenes look of the process of filming the first movie entirely in IMAX. The Odyssey is in theaters on July 17. Christopher Nolan’s next film, The Odyssey, is a mythic action epic shot across the world using brand-new IMAX® film technology. The film brings Homer’s foundational saga to IMAX® film screens for the first time and opens in theaters everywhere on July 17, 2026.

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